I’m a great admirer of authors who make exceptional use of supporting characters. A cast of extras is fun to write, of course. And supporting characters can say with charm, or the complete lack of charm, what the character wouldn’t. But their magic goes deeper than that. Here are three steps farther than snappy dialogue.
- We should hear a supporting character state the theme of the story early on, as in Robert Sawyer’s brilliant “Fallen Angel”, where the father tells his daughter Angela that there was nothing to fear. “We’ll be so high up we’ll catch God’s eye.’’ But she does fear, and the story turns on her fear and what she does because of it.
- Supporting characters should force the protagonist to show the readers his heroic qualities in contrast with their less heroic aspects. They make sure we don’t miss the hero’s flaws, either. Take a look at the many Brothers who have taken the Black on the Wall in Martin’s Game of Thrones series. Their leader Jon Snow is so remarkably steadfast and true that it takes an army of supporting characters to bring out his weaknesses.
- Supporting characters at their best force the protagonist – and antagonist – to make choices they would not have faced on their own, no matter how stubborn or brave they might be. I was just re-reading (for about the fiftieth time since I got it in my Christmas stocking at fourteen) Bel Kaufman’s amazing Up the Down Staircase. There’s not a character in there that doesn’t force young teacher Sylvia Barrett to make agonizing choices. That’s pretty rare craft in a book told through notes, letters, memos, and scribbles on the backboard.
I hope it’s another brilliant writing week for you. Cheers Mel
This “Previsions” (the P is silent) Time Management Blog is a reissue, from my blogging on pulpliterature.com
This week from @yourwritingmuse: Don’t you love to wake up each morning knowing that you are a professional writer, doing the work you love. Your fan, your Writing Muse.